The sound composition for Bloom: We’re Going to Die was composed entirely on the Moog Mother 32 semi–modular analogue synthesiser in 2020. The filming for this project, which features one continuous shot, was filmed on the salt marshes of Wadawurrng Country, South Eastern Australia in 2015.

The project aims to grapple with the dynamics of carbon-based life cycles, births, bonds, drifts, metabolisations, and the ephemerality and the finitude outwardly expressed.